My work explores the relationship between acquired synesthesia and emotional memories.
With influences as diverse as Munch and John Cage, new combinations are manufactured from both traditional and modern dialogues.
Ever since I was a postgraduate I have been fascinated by the ephemeral nature of the zeitgeist. What starts out as triumph soon becomes finessed into a cacophony of defeat, leaving only a sense of unreality and the inevitability of a new order.
As subtle derivatives become undefined through diligent and academic practice, the viewer is left with a new agenda of the limits of our condition.